Fujifilm X-H2 review: Less speed, more resolution

When Fujifilm released the X-H2S this summer, we all knew that an X-H2 would be arriving at some point, but few were expecting the specifications that have come withal with it.

It has the highest resolution sensor that we've overly seen in an APS-C mirrorless camera, withal with 8K video recording and it comes at a significantly lower price than its speedy sibling.

Fujifilm's latest hybrid soul is an well-flavored prospect, indeed, but what's it like to use in the real world? We've been putting it to the test.

Design and connectivity

• Dimensions: 136.3 x 92.9 x 84.6mm
• Weight: 660g
• Displays: 1.28-inch settings LCD, 3-inch flip-out monitor, OLED EVF
• Ports: Full-size HDMI, USB-C, 3.5mm headphone and mic sockets

The X-H2 utilises the same unconfined chassis as the X-H2S. Aside from the little white "X-H2" text on the rear, and the lack of an "S" token on the front, the two cameras are identical. They both come in at the same weight, too, so you can't really tell them untied in the hand.

This ways that it benefits from the same deep hand grip and ergonomic design, and despite stuff a bit hefty, it manages to be one of the most well-appointed camera persons to hold. The large settings exhibit is still present on the top, and as was the specimen when we tested the X-H2S, we found it extremely handy. The standout full-length was the worthiness to trammels our remaining shower life and storage space without plane needing to turn the camera on. That's the kind of thing you really miss when you switch when to your daily shooter.

The displays and connectivity are the same on this camera, too. The flip-out LCD is unconfined and usable in scrutinizingly all lighting conditions, while the 3.68 million dot OLED EVF is sharp and clear. You get a full-sized HDMI port, withal with headphone and microphone sockets and a USB-C port. As with the X-H2S, the USB can be used for charging or data transfer, but it doesn't indulge you to record to a portable SSD.

Photographic performance

• X-Trans CMOS sensor - 40.2MP stills
• Up to 20fps splash (1.29x crop) / 15fps with mechanical shutter
• 160MP pixel shift multi-shot
• Maximum electronic shutter speed 1/180000

The biggest wholesomeness offered by the X-H2 is its extremely high-resolution sensor. It's a traditional back-side illuminated sensor, rather than the stacked sensor found on the X-H2S. This ways it can't offer the same extremely fast splash rates, but instead produces a much increasingly detailed image that's increasingly suitable for large-format prints or cropping in.

We tested the camera with a combination of the XF 18-120mm, XF 16-55mm and XF 56mm F1.2. Across the board, we were very impressed with the results that we were worldly-wise to achieve. Images are sharp and detailed, whilst moreover benefitting from Fujifilm's renowned colour science.

Film simulation modes are sometimes considered a bit of a gimmick, but we found ourselves using them quite commonly on the X-H2. There are 13 to segregate from, including a couple of black-and-white options. These modes substantially wield a LUT in camera, saving you some editing time without the fact. We're quite keen on the "Nostalgic Negative" preset, which gives images a bit of warmth and a slight shift toward magenta tones.

With high-resolution sensors, noise is often a concern. Thankfully, we found that ISO settings up to virtually 3200 are extremely wipe and noise-free, and results are usable up to virtually 12800. Very impressive stuff.

As we mentioned, the X-H2 is no match for the X-H2S when it comes to splash rates, however, it offers the same speed when you're using the mechanical shutter. And 15fps with autofocus is not to be sniffed at. We did think that the autofocus was a little less reliable for fast-moving subjects, but it does a pretty spanking-new job overall.

Interestingly, there's one zone in which the X-H2 is the fastest, and that's the maximum electronic shutter speed. It goes all the way up to an uncanny 1/180000 sec. Does anyone need a shutter speed this high? We're not so sure, but if you're looking to freeze motion entirely, and have unbearable light, this could be the camera for the job. It could moreover be handy if you need to take a photo of the surface of the sun at f/1.2 with no ND filter.

Finally, we have a full-length tabbed pixel shift multi-shot, wherein the camera physically moves the sensor and takes 20 images of a scene that can be combined into one gigantic 160MP photo. You need a tripod for this, withal with a completely static subject for it to work, which severely limits its usefulness. Nonetheless, it's a pretty tomfool full-length that was previously sectional to Fuji's increasingly expensive GFX lineup of medium-format cameras. The images aren't combined in the camera, which we found a little disappointing, but it's easy to do using Fujifilm's Pixel Shift Combiner software on Windows or Mac.

Video performance

• Up to 8K 30fps/ 4K 60fps / 1080p 240fps
• Internal ProRes 422, HQ and LT support
• 7-stop in-body image stabilisation
• 2x digital zoom at 4K with little to no loss in resolution

With video shooting, it's a similar story, the higher-resolution sensor allows you to shoot video at up to 8K resolution, rather than 6.2K on the X-H2S. However, you moreover requite up some speed, losing 4K 120fps recording, which was one of our favourite modes on the X-H2S.

The 1080p 240fps slow motion is still available, but it suffers the word-for-word same issues that we saw on the X-H2S. We're not sure what makes this mode so grainy and unpleasant, but we've still got hope that Fujifilm can wipe it up in future firmware.

On this model, you still get all the same internal ProRes recording options as the pricier X-H2S, withal with the worthiness to output up to 12-bit RAW video to a uniform recorder over HDMI.

In our testing, the X-H2 performed quite similarly to the X-H2S in terms of stabilisation, dynamic range, autofocus and colour reproduction. Given that it's well-nigh $500 cheaper, and can moreover record 8K, that's a pretty big win.

The X-H2 moreover has a digital zoom function, that utilises the higher-resolution sensor to indulge for up to 2x digital zoom at 4K without any noticeable loss in quality. This can come in handy, expressly for wildlife shooting, and is a full-length that's not misogynist in the X-H2S.

However, there's one zone that lets the X-H2 lanugo for video, and that's its rolling shutter performance. Depending on how you shoot, this could be a potential dealbreaker. In 4K standard mode (which offers up to 60fps) the rolling shutter is roughly on par with the Sony A7 III, which is not bad at all. However, when you tumor things up to 4K HQ (oversampled) or 8K recording, the rolling shutter effect gets progressively worse, and it's very noticeable at 8K.